Local Property Session
€600
One ready-to-shoot apartment up to 80 m² in Split, up to 90 minutes on site, 20 edited images. This is also the minimum booking.
Photography · Ivan Boban
Brand campaigns, hospitality interiors, product, and case-study photography for businesses in and around Split — built as visual infrastructure, not a one-off shoot.
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Recent commissions in this category.
Split, Croatia
Split, Croatia
Split, Croatia
Split, Croatia
Split, Croatia
Split, Croatia
€600
One ready-to-shoot apartment up to 80 m² in Split, up to 90 minutes on site, 20 edited images. This is also the minimum booking.
From €1,200
Up to four hours on site, 30 edited images.
From €2,000
Up to eight hours on site, 50 edited images.
Hotels are quoted by room types and shared areas, restaurants by dishes and setups, yachts by vessel and light, events by the coverage we agree. Travel, ferries, accommodation, extra crew, drone work, styling and twilight shoots are priced separately.
Every shoot includes a written, worldwide, perpetual, non-exclusive licence for your website, booking listings, organic social media and brochures. RAW files are not included. Paid advertising, use by third parties and exclusivity are priced separately.
Prices in EUR, excluding VAT.
Request availability and a quoteCommercial photography in Split is rarely a one-off transaction. Most useful brand work is a relationship — the photographer learns the brand's visual language, the operations team, the venues, the products. The images get better every year and the production gets cheaper every year because the planning is faster. The work below reflects that pattern: five-year client collaborations, repeat hotel and restaurant shoots, AV-integration case studies that bridge brand and architecture, and Olympic-athlete campaign work shot across the Diocletian's Palace alleys.
Each Split commercial project starts with what the images are for — campaign, web refresh, sales deck, AV case study, hospitality launch. From there I plan coverage around the actual venue, brief the team, and shoot in passes that match each downstream use. The output is organised by use case, named consistently, and delivered in web/social/print exports. The same brand on year two pays less for a sharper shoot because the system is in place.
When the visuals need to live inside a wider system of campaigns, websites, ads, and sales materials.
See how this type of work turns into real outcomes for businesses, brands, and venues.
The wider photography and post-production overview, including work that is handled by inquiry only.
Every engagement starts with context, intended usage, and a delivery plan. From there the work usually covers things like project-scoped creative direction tied to actual downstream uses, consistent visual standards across multi-day or multi-location shoots, organised delivery — named files, sorted by use case, not by timestamp. The goal is not just to finish a shoot or edit, but to leave behind assets that still make sense after the first release.
The output is delivered as an organized asset set, not a file dump. That usually means channel-specific exports (web, social verticals, print masters) and bilingual en/hr captions and seo file naming when the brand operates in both markets. When the project needs it, I also include channel guidance or structure that makes the next round of production easier.
Yes. This type of work often sits inside a larger operating system. It can connect to a Content Studio engagement, a website refresh, a launch campaign, or an ongoing production rhythm where photography and video are part of business infrastructure rather than isolated tasks.
Tell me what we are photographing, where and when. I reply with availability and a quote. No long questionnaire.