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Photography · Ivan Boban

Commercial Photographer in Split

Brand campaigns, hospitality interiors, product, and case-study photography for businesses in and around Split — built as visual infrastructure, not a one-off shoot.

Commission guide

Local Property Session

€600

One ready-to-shoot apartment up to 80 m² in Split, up to 90 minutes on site, 20 edited images. This is also the minimum booking.

Commercial photography, half day

From €1,200

Up to four hours on site, 30 edited images.

Commercial photography, full day

From €2,000

Up to eight hours on site, 50 edited images.

Hotels are quoted by room types and shared areas, restaurants by dishes and setups, yachts by vessel and light, events by the coverage we agree. Travel, ferries, accommodation, extra crew, drone work, styling and twilight shoots are priced separately.

Every shoot includes a written, worldwide, perpetual, non-exclusive licence for your website, booking listings, organic social media and brochures. RAW files are not included. Paid advertising, use by third parties and exclusivity are priced separately.

Prices in EUR, excluding VAT.

Request availability and a quote

Commercial photography in Split is rarely a one-off transaction. Most useful brand work is a relationship — the photographer learns the brand's visual language, the operations team, the venues, the products. The images get better every year and the production gets cheaper every year because the planning is faster. The work below reflects that pattern: five-year client collaborations, repeat hotel and restaurant shoots, AV-integration case studies that bridge brand and architecture, and Olympic-athlete campaign work shot across the Diocletian's Palace alleys.

How I Approach It

Each Split commercial project starts with what the images are for — campaign, web refresh, sales deck, AV case study, hospitality launch. From there I plan coverage around the actual venue, brief the team, and shoot in passes that match each downstream use. The output is organised by use case, named consistently, and delivered in web/social/print exports. The same brand on year two pays less for a sharper shoot because the system is in place.

What You Get

  • — Project-scoped creative direction tied to actual downstream uses
  • — Consistent visual standards across multi-day or multi-location shoots
  • — Organised delivery — named files, sorted by use case, not by timestamp
  • — Channel-specific exports (web, social verticals, print masters)
  • — Bilingual EN/HR captions and SEO file naming when the brand operates in both markets

Credentials & Experience

  • Matea Jelić × Adidas by Stella McCartney — night fashion editorial across Riva, Diocletian's Palace alleys, and HNK Split
  • Dentelli Dental Clinic — five-year ongoing brand collaboration (clinic, BTS, fashion show, doctor portraits, celebrity crossover)
  • Bose Professional — installation case study photography at Hotel Briig, Hotel Cornaro, Mistral Beach Bar Radisson Blu, and Level Restaurant
  • Bossanova × Bose summer headphones campaign — Split Mediterranean lifestyle
  • Poliklinika Optima — corporate medical photography for an ophthalmology clinic
  • ACE Yachting — charter brand content for Split-anchored catamaran fleet
  • Stella Croatica Olive Oil Museum — architectural event documentation

Best Fit

  • — Hotels, restaurants, and venues in Split building brand visual systems
  • — Brands and agencies running Split-shot campaigns
  • — Healthcare clinics, fitness brands, and hospitality groups expanding visual libraries
  • — AV integrators and architecture firms documenting completed Split projects
  • — Sports and lifestyle brands collaborating with Split-based talent

Connect This With

Common Questions

What does this kind of engagement usually include?

Every engagement starts with context, intended usage, and a delivery plan. From there the work usually covers things like project-scoped creative direction tied to actual downstream uses, consistent visual standards across multi-day or multi-location shoots, organised delivery — named files, sorted by use case, not by timestamp. The goal is not just to finish a shoot or edit, but to leave behind assets that still make sense after the first release.

How is the work delivered once the production is done?

The output is delivered as an organized asset set, not a file dump. That usually means channel-specific exports (web, social verticals, print masters) and bilingual en/hr captions and seo file naming when the brand operates in both markets. When the project needs it, I also include channel guidance or structure that makes the next round of production easier.

Can this plug into broader marketing or content work?

Yes. This type of work often sits inside a larger operating system. It can connect to a Content Studio engagement, a website refresh, a launch campaign, or an ongoing production rhythm where photography and video are part of business infrastructure rather than isolated tasks.

Planning a shoot?

Tell me what we are photographing, where and when. I reply with availability and a quote. No long questionnaire.