Local Property Session
€600
One ready-to-shoot apartment up to 80 m² in Split, up to 90 minutes on site, 20 edited images. This is also the minimum booking.
Photography · Ivan Boban
Drone aerials over the Adriatic, swim-platform lifestyle, deck dining, and sunset hero frames — built specifically for premium yacht charter brands.
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Adriatic Sea, Croatia
Adriatic Sea, Croatia
Adriatic Sea, Croatia
Adriatic Sea, Croatia
Adriatic Sea, Croatia
€600
One ready-to-shoot apartment up to 80 m² in Split, up to 90 minutes on site, 20 edited images. This is also the minimum booking.
From €1,200
Up to four hours on site, 30 edited images.
From €2,000
Up to eight hours on site, 50 edited images.
Hotels are quoted by room types and shared areas, restaurants by dishes and setups, yachts by vessel and light, events by the coverage we agree. Travel, ferries, accommodation, extra crew, drone work, styling and twilight shoots are priced separately.
Every shoot includes a written, worldwide, perpetual, non-exclusive licence for your website, booking listings, organic social media and brochures. RAW files are not included. Paid advertising, use by third parties and exclusivity are priced separately.
Prices in EUR, excluding VAT.
Request availability and a quoteYacht photography in Croatia has a specific job: it has to sell the experience without lying about it. Charter operators don't need stock-style yacht photos — they need visuals that match what guests actually get, framed well enough to drive bookings. The Adriatic offers real material — clear water, deep colour, dramatic light off the coast — but the work still has to be planned. Drone permits, wind windows, anchor positions, and sun angle all change the frame. The frames you remember from a charter campaign are usually the ones planned a day in advance, not the ones grabbed at sundown.
Each yacht shoot is built around three asset families: aerial hero frames (drone, planned for water colour and yacht silhouette), guest-experience frames (swim platform, deck dining, sunset cocktails — staged but believable), and night/long-exposure frames where the deck reads warm against dark water. We pre-anchor in spots with the right light, brief the crew, and shoot in passes so each asset family gets undivided attention.
When the visuals need to live inside a wider system of campaigns, websites, ads, and sales materials.
See how this type of work turns into real outcomes for businesses, brands, and venues.
The wider photography and post-production overview, including work that is handled by inquiry only.
Every engagement starts with context, intended usage, and a delivery plan. From there the work usually covers things like aerial hero frames planned for water colour, yacht silhouette, and wake line, guest-experience frames that look like an actual charter, not a staged shoot, sunset and night-time deck coverage where the boat reads warm against dark water. The goal is not just to finish a shoot or edit, but to leave behind assets that still make sense after the first release.
The output is delivered as an organized asset set, not a file dump. That usually means drone work executed under croatian aviation permits, not improvised and web, social, and print exports organised for direct campaign use. When the project needs it, I also include channel guidance or structure that makes the next round of production easier.
Yes. This type of work often sits inside a larger operating system. It can connect to a Content Studio engagement, a website refresh, a launch campaign, or an ongoing production rhythm where photography and video are part of business infrastructure rather than isolated tasks.
Tell me what we are photographing, where and when. I reply with availability and a quote. No long questionnaire.