Local Property Session
€600
One ready-to-shoot apartment up to 80 m² in Split, up to 90 minutes on site, 20 edited images. This is also the minimum booking.
Photography · Ivan Boban
Permit-cleared aerial coverage for the Croatian coast — venues, events, yachts, and architecture seen at the scale they actually have.
Portfolio
Recent commissions in this category.
Hotel Ambasador, Opatija, Croatia
Adriatic Sea, Croatia
Adriatic Sea, Croatia
Adriatic Sea, Croatia
Split, Croatia
Bar Sistema, Split, Croatia
€600
One ready-to-shoot apartment up to 80 m² in Split, up to 90 minutes on site, 20 edited images. This is also the minimum booking.
From €1,200
Up to four hours on site, 30 edited images.
From €2,000
Up to eight hours on site, 50 edited images.
Hotels are quoted by room types and shared areas, restaurants by dishes and setups, yachts by vessel and light, events by the coverage we agree. Travel, ferries, accommodation, extra crew, drone work, styling and twilight shoots are priced separately.
Every shoot includes a written, worldwide, perpetual, non-exclusive licence for your website, booking listings, organic social media and brochures. RAW files are not included. Paid advertising, use by third parties and exclusivity are priced separately.
Prices in EUR, excluding VAT.
Request availability and a quoteDrone photography in Croatia is constrained by real rules — controlled airspace around airports, no-fly zones over old towns, marine traffic, and changing wind windows. Done right, that constraint produces stronger work: every aerial frame is intentional, planned, and adds something the ground camera can't. Most of the Croatian aerial work I do is for hospitality venues, yacht charter brands, destination events, and architectural firms. The aerial isn't a gimmick — it's the only way to read certain projects at their real scale.
Each drone shoot starts with a flight plan. Permits, no-fly zones, wind forecasts, and golden-hour timing are confirmed before anyone leaves. On site I plan two passes minimum — one wide establishing pass for the venue at scale, one tighter pass for the hero frame. Both are flown with redundancy: backup battery, backup memory, backup take. Aerial frames are delivered with master files and web-ready exports, not as raw drone footage someone else has to colour.
When the visuals need to live inside a wider system of campaigns, websites, ads, and sales materials.
See how this type of work turns into real outcomes for businesses, brands, and venues.
The wider photography and post-production overview, including work that is handled by inquiry only.
Every engagement starts with context, intended usage, and a delivery plan. From there the work usually covers things like pre-flight planning — permits, weather windows, golden hour, no-fly clearance, aerial coverage that reads the project at its actual scale, not as decoration, both establishing wide passes and tighter hero frames. The goal is not just to finish a shoot or edit, but to leave behind assets that still make sense after the first release.
The output is delivered as an organized asset set, not a file dump. That usually means backup-flown shoots (battery, memory, second take) to remove single-point failure and delivered as web/social/print exports, not as raw footage someone else has to finish. When the project needs it, I also include channel guidance or structure that makes the next round of production easier.
Yes. This type of work often sits inside a larger operating system. It can connect to a Content Studio engagement, a website refresh, a launch campaign, or an ongoing production rhythm where photography and video are part of business infrastructure rather than isolated tasks.
Tell me what we are photographing, where and when. I reply with availability and a quote. No long questionnaire.