Local Property Session
€600
One ready-to-shoot apartment up to 80 m² in Split, up to 90 minutes on site, 20 edited images. This is also the minimum booking.
Photography · Ivan Boban
Coverage for Split-area events that need to look as intentional in the recap as they did on the night — hotels, brand activations, destination dinners, and live music.
Portfolio
Recent commissions in this category.
Split, Croatia
Bar Sistema, Split, Croatia
Split, Croatia
Hotel Briig, Split, Croatia
Hotel Central Santa Lucia, Split, Croatia
Split, Croatia
€600
One ready-to-shoot apartment up to 80 m² in Split, up to 90 minutes on site, 20 edited images. This is also the minimum booking.
From €1,200
Up to four hours on site, 30 edited images.
From €2,000
Up to eight hours on site, 50 edited images.
Hotels are quoted by room types and shared areas, restaurants by dishes and setups, yachts by vessel and light, events by the coverage we agree. Travel, ferries, accommodation, extra crew, drone work, styling and twilight shoots are priced separately.
Every shoot includes a written, worldwide, perpetual, non-exclusive licence for your website, booking listings, organic social media and brochures. RAW files are not included. Paid advertising, use by third parties and exclusivity are priced separately.
Prices in EUR, excluding VAT.
Request availability and a quoteMost Split events have a real story inside them. The challenge is that the story usually shows up in five frames out of two thousand. Event photography that just documents everything ends with a folder no one opens. What clients actually need is coverage that knows which moments matter — the speech, the moment of recognition, the brand product caught in honest use, the venue when it's full and the venue at peace. I shoot Split events as production, not as documentation. The output is a sharp set you can publish, not a bulk export.
Each event starts with a run-of-show conversation. What's the actual sequence? What are the three moments you need to be able to point at later? What's the venue's real light? From there I plan coverage around those anchor moments, with extra frames for atmosphere and supporting details. Drone work, when relevant and permitted, is pre-arranged. Delivery is selects-first — you get the publishable set fast, with master files available for archive use.
When the visuals need to live inside a wider system of campaigns, websites, ads, and sales materials.
See how this type of work turns into real outcomes for businesses, brands, and venues.
The wider photography and post-production overview, including work that is handled by inquiry only.
Every engagement starts with context, intended usage, and a delivery plan. From there the work usually covers things like run-of-show planning so coverage hits the real anchor moments, coverage that knows the difference between the speech and the speech reaction, drone aerials where permits and venue rules allow. The goal is not just to finish a shoot or edit, but to leave behind assets that still make sense after the first release.
The output is delivered as an organized asset set, not a file dump. That usually means selects-first delivery — publishable images within the next business day where scope allows and bilingual en/hr captions for events that cross both markets. When the project needs it, I also include channel guidance or structure that makes the next round of production easier.
Yes. This type of work often sits inside a larger operating system. It can connect to a Content Studio engagement, a website refresh, a launch campaign, or an ongoing production rhythm where photography and video are part of business infrastructure rather than isolated tasks.
Tell me what we are photographing, where and when. I reply with availability and a quote. No long questionnaire.