Local Property Session
€600
One ready-to-shoot apartment up to 80 m² in Split, up to 90 minutes on site, 20 edited images. This is also the minimum booking.
Photography · Ivan Boban
Documentation of buildings for what they mean, not just how they look — hotels, restaurants, cultural venues, and sacred space across Croatia and Slovenia.
Portfolio
Recent commissions in this category.
Ljubljana, Slovenia
Ljubljana, Slovenia
Hotel Ambassador / Hotel Amphora, Opatija, Croatia
Ljubljana Jože Pučnik Airport, Ljubljana, Slovenia
Stobreč, Split, Croatia
Split, Croatia
€600
One ready-to-shoot apartment up to 80 m² in Split, up to 90 minutes on site, 20 edited images. This is also the minimum booking.
From €1,200
Up to four hours on site, 30 edited images.
From €2,000
Up to eight hours on site, 50 edited images.
Hotels are quoted by room types and shared areas, restaurants by dishes and setups, yachts by vessel and light, events by the coverage we agree. Travel, ferries, accommodation, extra crew, drone work, styling and twilight shoots are priced separately.
Every shoot includes a written, worldwide, perpetual, non-exclusive licence for your website, booking listings, organic social media and brochures. RAW files are not included. Paid advertising, use by third parties and exclusivity are priced separately.
Prices in EUR, excluding VAT.
Request availability and a quoteArchitectural photography in Croatia faces a specific bias: most building photography here is real estate marketing dressed as architecture. The frames are wide, bright, and uninhabited — which sells units but misses the design intent. The work below is the other thing: documentation that reads the building. Light moving through Cukrarna's perforated panels. Geometry of the Ljubljana Islamic Cultural Center. How a Split hotel's interior holds up under occupied use, not just at handover. The same project documented this way is more useful — to the architect, to the operator, to the publication, and to the next client.
Every architectural project starts before the camera. I read the building — architect intent, plans, references the designer cited. I walk the space at the times of day light actually changes it. Then I plan a shoot that captures both the design moves and the building in use. The output documents the structural logic — not just an empty room with the chairs aligned.
When the visuals need to live inside a wider system of campaigns, websites, ads, and sales materials.
See how this type of work turns into real outcomes for businesses, brands, and venues.
The wider photography and post-production overview, including work that is handled by inquiry only.
Every engagement starts with context, intended usage, and a delivery plan. From there the work usually covers things like pre-shoot research — architect intent, design context, and material study, photography that reveals structural logic, not just appearance, multiple light conditions (morning, afternoon, occupied, empty). The goal is not just to finish a shoot or edit, but to leave behind assets that still make sense after the first release.
The output is delivered as an organized asset set, not a file dump. That usually means context documentation — how the building relates to its surroundings and organised delivery with architectural terminology and spatial annotations. When the project needs it, I also include channel guidance or structure that makes the next round of production easier.
Yes. This type of work often sits inside a larger operating system. It can connect to a Content Studio engagement, a website refresh, a launch campaign, or an ongoing production rhythm where photography and video are part of business infrastructure rather than isolated tasks.
Tell me what we are photographing, where and when. I reply with availability and a quote. No long questionnaire.